Lorna's Silence Critic Reviews

Metascore®:

85 =
Based upon 11 Critic Reviews
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Los Angeles Times | Kevin ThomasAdd Critic to Favorites

A gritty, deceptively low-key, no-fuss, no-frills movie of consistent originality and surprise in which suspense arises straight up from the heroine's evolving character.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

A stunning study of one desperate woman's conscience.Read the full review

The New York Times | A.O. ScottAdd Critic to Favorites

Lorna's Silence is engrossing and powerful, which may be just another way of saying it's a film by the Dardenne brothers. If it falls a bit short of the standards of their best work, that is only because it is not quite a masterpiece.Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

The Dardennes resist the expected cliches: The climactic scenes gather force and purpose and the movie seems headed for a breakthrough of some sort, but then it glides softly and unexpectedly to a halt.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Renier’s performance is the best thing in the movie, although all the actors, cast partly for their faces, are part of creating this desperate world.Read the full review

The Onion (A.V. Club) | Sam AdamsAdd Critic to Favorites

Lorna's Silence feels like a refinement, even a repetition, of earlier themes. But the brothers are repeating themselves at such a high level that the redundancies are more than welcome.Read the full review

Slate | Dana StevensAdd Critic to Favorites

Something between a love story and a religious morality tale. The hauntingly ambiguous last scene, in which Lorna finds a place of temporary respite from the economic forces that have determined so much of her life, may be the saddest happy ending I've ever seen.Read the full review

Variety | Justin ChangAdd Critic to Favorites

The film doesn't pack the same cumulative wallop as the brothers' earlier work, but its low-key artistry, immaculate construction and fine performance by relative newcomer Arta Dobroshi should rouse the usual fest acclaim and arthouse interest.Read the full review

Washington Post | John AndersonAdd Critic to Favorites

While the Dardennes may be moralists, they are also makers of thrillers: The story within Lorna' Silence is built on tiny increments of tantalizing details, meted out in penurious droplets and with chest-tightening tension that suggests that what the brothers wanted to be when they grew up were boa constrictors -- Belgian boas, with degrees in Marxist theory.Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

Like earlier Dardenne films, Lorna’s Silence is naturalistic, yet this one, beautifully shot in 35 mm film by Alain Marcoen, achieves a poetry of bereftness.Read the full review

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