Magnolia Critic Reviews

Metascore®:

83 =
Based upon 11 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The kind of film I instinctively respond to. Leave logic at the door. Do not expect subdued taste and restraint, but instead a kind of operatic ecstasy.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

One of the best movies of the year--startling, innovative, hugely funny and powerfully, courageously moving.Read the full review

Slate | David EdelsteinAdd Critic to Favorites

Anderson must have needed that bonkers third-hour climax because there was nowhere to go short of spontaneous combustion.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

The most imperfect of the year's best movies, Magnolia's flaws are easily forgiven because they are the result of go-for-broke ambition.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

Anderson's big, showy flower of a movie unfurls brilliantly, each plot petal a thing of exquisite design. Then it ripens. Then it disintegrates, leaving a mess of color and a faint whiff of rot.Read the full review

The New York Times | Janet MaslinAdd Critic to Favorites

It's astonishing to see a film begin this brilliantly only to torpedo itself in its final hour.Read the full review

Washington Post | Rita KempleyAdd Critic to Favorites

As intoxicating as the flower it's named for, and its characters, most of them as flawed and fascinating as the film itself, seem intoxicated by the overpowering scent.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Drunk and disorderly on the pure joy of making movies. A frantic, flawed, fascinating film that is both impressive and a bit out of control, often at the same time.Read the full review

Boston Globe | Jay CarrAdd Critic to Favorites

Magnolia is "Short Cuts" with hope. It's my kind of mess.Read the full review

San Francisco Chronicle | Bob GrahamAdd Critic to Favorites

At times, Anderson may be too brilliant for his own good, and there is a risk that viewers will tire of the director's relentlessly prowling camera.Read the full review

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