Man on Fire (2004) Critic Reviews

Metascore®:

48 =
Based upon 15 Critic Reviews
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ReelViews | James BerardinelliAdd Critic to Favorites

For what Man on Fire delivers, it's worth enduring Scott's hyperkinetic visual techniques.Read the full review

Slate | David EdelsteinAdd Critic to Favorites

No one rises above the material, though, except for Walken, who looks pleased with the paycheck and the top-shelf tequila. As a shady lawyer, Mickey Rourke is smooth and funny, but recognizable only by his familiar purr.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

Not too many R-rated revenge pics depend on "Uptown Girls'" Dakota Fanning for the stronger scenes. Yet once the 10-year-old star exits the picture, Man on Fire starts blowing a lot of smoke.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Employs superb craftsmanship and a powerful Denzel Washington performance in an attempt to elevate genre material above its natural level, but it fails. The underlying story isn't worth the effort. Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

One of the more absorbing and palatable entries in the rather disreputable "Death Wish"-style self-appointed vigilante sub-genre. Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

The film is always watchable, and the confrontations contain undeniable edgy excitement. But even if this weren't a remake, it would be a remake. Hollywood filmmakers have fished these waters so thoroughly that it's virtually impossible to land a big catch. Read the full review

Washington Post | Michael O'SullivanAdd Critic to Favorites

The film as a whole, while possessing a kind of vicious beauty, feels as cold and as embalmed as a corpse. Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Whenever the movie's point of view turns omniscient, and we're seeing events from the director's vantage point, Man on Fire becomes a blurry, shaky mess.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Despite its high craft level and Washington's participation in it, this movie's showy violence is finally as deadening as the over-emphatic violence in these kinds of films generally is. Read the full review

The Onion (A.V. Club) | Nathan RabinAdd Critic to Favorites

Scott's latest exercise in assaultive excess nevertheless lingers for two and a half hours, like a drunken houseguest who won't leave. Read the full review

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