Manderlay Critic Reviews

Metascore®:

41 =
Based upon 14 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

I wouldn't go so far as to claim Manderlay is fun to watch. Von Trier, who can made compulsively watchable films ("Breaking the Waves"), has found a style that will alienate most audiences. Maybe it's necessary.Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

To warm to Manderlay, the chilly second installment of Lars von Trier's not-yet-finished three-part Brechtian allegory examining United States history, you must be willing to tolerate the derision and moral arrogance of a snide European intellectual thumbing his nose at American barbarism.Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

It's an extremely cynical perspective, enforced by some disappointingly turgid melodrama, but keep in mind, this movie was made before an almost uniformly poor and black population was left to rot in New Orleans floodwaters. Even at his worst, von Trier can still strike a nerve.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Howard struggles with the role Kidman nailed. And the graphic nude scene in which "proudy slave" Timothy (Isaach De Bankole) puts a towel over Grace's head before ravishing her pale body is as rugged on the audience as it is on the actors.Read the full review

Boston Globe | Wesley MorrisAdd Critic to Favorites

Spike Lee has been treading similar terrain with both greater cogency and fewer similarities to Bertolt Brecht. Manderlay, though, is mad and perplexed in its own inscrutable, schematic way. The trouble is the angrier it gets, the more infuriatingly banal it becomes.Read the full review

Los Angeles Times | Josh KunAdd Critic to Favorites

Trier gets lost in his own rhetoric, forgetting to entertain his flock while raking them over the coals.Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

The subject being race relations, Manderlay is bound to stir considerable debate in intellectual circles, but given the director's abstract style and use of characters to enact an agenda, it's a discussion that will exclude the general public, who will ignore it as they did "Dogville."Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

Nothing von Trier presents here, whether real or imagined, is fresh or new.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Plagued by moralizing so strident and a style so artificial that the story never has a chance to speak to an audience.Read the full review

Slate | Dana StevensAdd Critic to Favorites

Perhaps the saddest thing about Manderlay is how poorly von Trier treats his actors, who are so bludgeoned by the concept and the format they can scarcely breathe.Read the full review

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