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In its ability to transform the drably mundane into something otherworldly, Marathon offers one of the most inventive reimaginings of the MTA since D.A. Pennebaker's 1953 cine-poem "Daybreak Express."Full Review
Village Voice
Marathon constitutes a brilliant but demanding finale to veteran Iranian helmer Amir Naderi's New York trilogy ("Manhattan by Numbers," "ABC Manhattan"). Full Review
Ronnie Scheib
Variety
The real star, however, is Michael Simmonds, whose manic black-and-white camerawork captures the unique vibrancy of New York City. He helps turn one woman's obsession into a valentine to Gotham.Full Review
V.A. Musetto
New York Post
The beauty of Mr. Naderi's filmmaking lies in his combination of acute social observation (with the subway population providing its habitual cross section of New York classes and cultures) and pure, almost mathematical formalism.Full Review
Dave Kehr
The New York Times
It's hard to believe that this oddly mesmerizing film, set in large part in the vast subway system that snakes its way through Manhattan and its outer boroughs, wasn't made by a native New Yorker.Full Review
Ken Fox
TV Guide
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