Masked and Anonymous Critic Reviews

Metascore®:

33 =
Based upon 11 Critic Reviews
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Washington Post | Ann HornadayAdd Critic to Favorites

A fascinating, vexing, indulgent, visionary, pretentious, mesmerizing pop culture curio.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

It's only when the film attempts to express its ideas in spoken English that logic dissolves into a muddle that would test the most rabid Dylanologist.Read the full review

San Francisco Chronicle | Edward GuthmannAdd Critic to Favorites

A messy, ambitious comedy.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

Requires tremendous restraint not to conclude that this entertainingly apocalyptic mess is about nothing, since it may well be about everything. But I doubt it.Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

An unholy, incoherent mess. Read the full review

Los Angeles Times | Kevin ThomasAdd Critic to Favorites

The look of the film is great, the soundtrack glorious, but more often than not the dialogue is atrocious, featuring a lot of long-winded gobbledygook. Read the full review

Washington Post | Michael O'SullivanAdd Critic to Favorites

Simply painful to watch as the doomed vehicle it's trapped in comes whistling toward a fiery crash landing. Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

The exact cinematic equivalent of a classic Bob Dylan song. It's also proof that what is towering genius in one medium can go insanely wrong in another. Read the full review

The Onion (A.V. Club) | Keith PhippsAdd Critic to Favorites

Dylan's performance doesn't offer any clues. He's an icon and he delivers an icon's performance, literally: He could easily have been replaced by piece of wood with his face painted on it. That distance also means he remains more or less untouched by the embarrassment going on around him, even though it's largely his own creation. Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

Evinces no interest in such niceties as credible dialogue, character motivation or forward momentum. Read the full review

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