Maxed Out Critic Reviews

Metascore®:

67 =
Based upon 9 Critic Reviews
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Variety | Joe LeydonAdd Critic to Favorites

Intelligent, informative and unusually entertaining documentary errs only when it yanks too insistently on heartstrings while focusing on worst-case scenarios involving desperate debtors driven to suicide.Read the full review

Los Angeles Times | Kevin CrustAdd Critic to Favorites

Scurlock does well to counter the more dire aspects of the film with a razor-sharp sense of humor.Read the full review

Washington Post | Ann HornadayAdd Critic to Favorites

A riveting, amusing, enlightening and emotionally affecting movie by a guy you've never heard of, about -- wait for it -- the consumer debt crisis.Read the full review

The Onion (A.V. Club) | Nathan RabinAdd Critic to Favorites

Maxed Out sacrifices depth for breadth and like a lot of low-budget documentaries, it's done no favors by its grimy, no-fi aesthetic. But the film's scattered ruminations on credit card mania add up to a powerful indictment of a culture of mindless consumption spinning out of control.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Maxed Out, while occasionally muddled in its financial details, presents a more-accurate-than-not vision of a nation that is starting to look like a candidate for rehab, on both an individual and a national level, for its addiction to debt.Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

James Scurlock's documentary horror show has a critical message to impart -- your credit cards are out to kill you -- and a naive, ham - handed way of imparting it.Read the full review

San Francisco Chronicle | Ruthe SteinAdd Critic to Favorites

While the documentary does a credible job of pointing out the magnitude of the problem, it skirts the issue of what can be done about it and by whom.Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

Although Maxed Out would like to be this year’s "Enron: The Smartest Guys in the Room," it doesn’t measure up. "Enron" was a stronger film because its focus was specific, the personalities under its microscope were outsize, and its story had a beginning, middle and end. Maxed Out, which has no narrator, gathers facts, opinions and impressions and tosses them into a blender. And its story is still unfinished.Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

Scurlock's documentary serves up cautionary tales of epic abuse, though the overall tone is faux cheerful and sometimes genuinely entertaining.Read the full review

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