Mean Machine Critic Reviews

Metascore®:

48 =
Based upon 11 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Guy Ritchie, who started out as such an innovator in "Lock, Stock, etc.," seems to have headed directly for reliable generic conventions as a producer. But they are reliable, and have become conventions for a reason: They work. Mean Machine is what it is, and very nicely, too.Read the full review

Los Angeles Times | Kevin ThomasAdd Critic to Favorites

Mean Machine may not have the resonance to linger in the memory affectionately as "The Longest Yard" does, but it plays well, with a fast pace and plenty of punch.Read the full review

Boston Globe | Jay CarrAdd Critic to Favorites

More machine than mean, although it's anything but a smoothly running operation.Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

The surface is rough and profane enough, and the acting sufficiently restrained, to cover the sentimental story with a varnish of gritty realism. But stylish bravado and bad-boy performances don't make the film any less predictable.Read the full review

San Francisco Chronicle | Edward GuthmannAdd Critic to Favorites

Takes a long time getting started and doesn't hit its stride until Danny starts coaching a team of fellow cons -- think "Bad News Bears," just nastier.Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

Against heavy odds, Mean Machine adds darker flavors to the plot without curdling it. Beneath the comic craziness is real craziness, and desperation. These goal-kicking, bone-crunching cons are both actors in and prisoners of their own horror show.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

After too many ''Full Monty''s, it has come to look like nothing so much as a coy ritual of emasculation.Read the full review

Variety | Derek ElleyAdd Critic to Favorites

OK entertainment but nothing more.Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

While competently staged and punched up by Lock, Stock's changing camera speeds, it doesn't have the wit or intrigue to sustain its half-length.Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

Dramatically lackluster.Read the full review

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