Mississippi Burning Critic Reviews

Metascore®:

74 =
Based upon 7 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Apart from its pure entertainment value - this is the best American crime movie in years - it is an important statement about a time and a condition that should not be forgotten. The Academy loves to honor prestigious movies in which long-ago crimes are rectified in far-away places. Here is a nominee with the ink still wet on its pages.Read the full review

Washington Post | Desson HoweAdd Critic to Favorites

Mississippi Burning speeds down the complicated, painful path of civil rights in search of a good thriller. Surprisingly, it finds itRead the full review

The New York Times | Wayne KingAdd Critic to Favorites

For those who know such places, Mr. Parker, who is English, evokes the texture, the gritty, fly-specked Southernness, the brooding sense of small-town menace, the racial hatred, with considerable accuracy.Read the full review

Washington Post | Rita KempleyAdd Critic to Favorites

Parker, a director of breadth, not depth, never supplies the big answers, but he does powerfully depict the climate of the Confederacy in the "Freedom Summer" of 1964.Read the full review

Variety | Staff (Not Credited)Add Critic to Favorites

Though its credibility is undermined by a fanciful ending, Mississippi Burning captures much of the truth in its telling of the impact of a 1964 FBI probe into the murders of three civil rights workers.Read the full review

San Francisco Chronicle | Judy StoneAdd Critic to Favorites

Parker recreates the hate-and-fear-filled atmosphere in that small Southern town with broad brush strokes. But in the end, all of his spectacular fires send out a lot more heat than light. [13 Jan 1989, p.E1]Read the full review

Boston Globe | John KochAdd Critic to Favorites

Mississippi Burning plays loose with truth, turning the history of the civil rights movement on its head. The filmmakers shamelessly transform what was ultimately a triumph of due process and nonviolent civil disobedience into an ugly might-makes-right spectacle. It's "Dirty Harry" coming at you from the left. [27 Jan 1989, p.72]Read the full review

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