Mister Lonely Critic Reviews

Metascore®:

56 =
Based upon 9 Critic Reviews
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Boston Globe | Wesley MorrisAdd Critic to Favorites

Korine is finding his way toward artistic greatness by searching his soul. It's possible that the man in the mirror is him.Read the full review

The New York Times | A.O. ScottAdd Critic to Favorites

Mister Lonely, self-enclosed though it may be, nonetheless demonstrates that Mr. Korine, who showed his ability to shock and repel in earlier films, also has the power to touch, to unsettle and to charm. This is undoubtedly a small movie, but it's also more than that: it's a small, imperfect world.Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

What engages us is Korine's revolutionary way of telling stories. It's as though he's downloading his dreams directly onto the screen.Read the full review

Variety | Scott FoundasAdd Critic to Favorites

Less outre than "Gummo" and "Julien Donkey-Boy," Korine's most lavishly produced pic to date begins as a sweet-tempered tale of social misfits-turned-celebrity impersonators, but falls short of its ambition to say something meaningful about the obsessive nature of celebrity culture.Read the full review

Los Angeles Times | Carina ChocanoAdd Critic to Favorites

While it's full of arresting, indelible images, Mr. Lonely remains mostly on the level of abstraction. You get it but you don't always feel it.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

An odd, desperate film, lost in its own audacity, and yet there are passages of surreal beauty and preposterous invention that I have to admire. The film doesn't work, and indeed seems to have no clear idea of what its job is, and yet (sigh) there is the temptation to forgive its trespasses simply because it is utterly, if pointlessly, original.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

As a work of entertainment, as a cohesive narrative and as an artistic whole, there's no way to call it anything but an on-balance average effort. Yet there's nothing remotely average about the movie's warm spirit, its imaginative and arresting cinematography or its handful of unique, brilliant scenes and shrewd, bizarre performances.Read the full review

The Onion (A.V. Club) | Noel MurrayAdd Critic to Favorites

Has its moments of wonder and beauty, but the film is obscure by design, and meant to appeal to those who favor the alternative canon of directing greats: the one that includes the likes of Alejandro Jodorowsky, David Lynch, Crispin Glover, John Cassavetes, Claire Denis, Abel Ferrara, and Vincent Gallo.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

None of the faux icons comes close to being a character. Instead, they are contrasted with a group of nuns who skydive without parachutes. Could this possibly be a metaphor for Korine's filmmaking? It certainly goes splat.Read the full review

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