Monster's Ball Critic Reviews

Metascore®:

80 =
Based upon 13 Critic Reviews
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The New York Times | Dana StevensAdd Critic to Favorites

The raw intimacy of some of the scenes -- whether they take place at a diner, in the death house or in the bedroom -- is breathtaking.Read the full review

Slate | David EdelsteinAdd Critic to Favorites

When a movie wrenches you with the deaths of children then leaves you with nothing to take home but your confusion, it can make you thirsty for the blood of directors.Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

The movie holds you in thrall from first frame to last. Hatred is hatred unslaked. So is racism, ugliness, love, lust and sorrow.Read the full review

San Francisco Chronicle | Edward GuthmannAdd Critic to Favorites

Dark and beautifully directed melodrama about the strange intersection of racism and emotional need.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

This is as anti-Hollywood a film as I have seen in recent months, one which takes conventional plot ideas and uses them not to season a melodrama, but to enrich fully three-dimensional characters and create a forceful motion picture.Read the full review

Boston Globe | Jay CarrAdd Critic to Favorites

The kind of film that could easily be undone by its own high-minded ambitions and dissolve in a pall of uplift. But it stays the course and gives the season two of its notable performances.Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

Halle Berry is something else as Leticia Musgrove, the widow of an inmate who's just been executed by Hank and his crew, and that something else is commandingly passionate.Read the full review

Los Angeles Times | Kevin ThomasAdd Critic to Favorites

Hank is but the latest of Thornton's strikingly taciturn characters in a whole string of movies, but for Berry, Leticia represents a big-screen breakthrough.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

A traffic map of calls and responses, lessons and homework, wishes and fulfillment. All roads lead to acting-award nominations, but none lead to truth.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

The actors make it unique and unforgettable.Read the full review

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