Mostly Martha Critic Reviews

Metascore®:

72 =
Based upon 11 Critic Reviews
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The New York Times | A.O. ScottAdd Critic to Favorites

Extremely enjoyable, though a few degrees shy of perfection.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

As much as any other motion picture that employs the preparation and consumption of food as a key element, Mostly Martha provides the perfect blend of cinematic nourishment and gratification.Read the full review

Variety | Derek ElleyAdd Critic to Favorites

A charming relationships comedy about food, gourmet cooking and emotionally chilling out. Anchored by a career-best performance from German thesp Martina Gedeck.Read the full review

Slate | David EdelsteinAdd Critic to Favorites

The German reserve and Italian extroversion are in just the right balance. The movie exists on a tantalizing border -- and I don't mean Switzerland.Read the full review

Washington Post | Michael O'SullivanAdd Critic to Favorites

Sweet without being saccharine and funny without being forced, the closely observed romantic comedy treats the culinary arts as a metaphor for personal healing.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Little gem.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

Nettelbeck has a particularly lovely sense of behind-the-scenes restaurant choreography. And her warm, patient understanding of little girls' psyches guides young Maxime Foerste, as the turbulent niece, to a terrific performance.Read the full review

Washington Post | Ann HornadayAdd Critic to Favorites

A sweet, even delectable diversion from the more explosive cinematic fare of the season.Read the full review

The Onion (A.V. Club) | Keith PhippsAdd Critic to Favorites

Becomes precisely the sort of film its elements demand. As tearful goodbyes and joyful montage sequences set to lite-jazz saxophoning take over, "neatly winsome" trumps "messy drama" yet again.Read the full review

Boston Globe | Wesley MorrisAdd Critic to Favorites

If there's nothing here for romantics, there's even less for gourmands. Nettelbeck fails to produce a good food metaphor, let alone an impressive, palate-aching preparation montageRead the full review

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