Mother of Tears Critic Reviews

Metascore®:

59 =
Based upon 9 Critic Reviews
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Washington Post | Ann HornadayAdd Critic to Favorites

This lurid celebration of shock, schlock and the shamelessly perverse finds the 67-year-old grandfather of torture porn scraping the bottom of his admittedly limited creative barrel.Read the full review

Variety | Dennis HarveyAdd Critic to Favorites

This hectic pileup of supernatural nonsense is a treasure trove of seemingly unintentional hilarity. Although lacking helmer's usual aesthetic panache, this "Mother" is a cheesy, breathless future camp classic.Read the full review

Los Angeles Times | Kevin ThomasAdd Critic to Favorites

Although The Mother of Tears teeters on the preposterous and awkward, it is diverting and reveals that the filmmaker's signature bravura flourishes and use of sinister settings are still intact.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Aside from being vile and repellent, it's mainly dull - old-fashioned in its shock tactics and culminating in a ho-hum climax.Read the full review

The New York Times | Nathan LeeAdd Critic to Favorites

The Mother of Tears is silly, awkward, vulgar, outlandish, hysterical, inventive, revolting, flamboyant, titillating, ridiculous, mischievous, uproarious, cheap, priceless, tasteless and sublime.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

As a lissome art restorer, Asia Argento (the director's daughter) comes off as the sanest human on screen, which is pretty scary.Read the full review

The Hollywood Reporter | Richard James HavisAdd Critic to Favorites

Witty to the point of hilarity, blood-soaked and thoroughly politically incorrect, Mother of Tears: The Third Mother follows 1970s cult classics "Suspiria" and "Inferno" to complete Argento's "Mother" trilogy.Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

Compared to a recent Argento dud like "The Stendhal Syndrome," Mother Of Tears at least has some of the go-for-broke gothic spirit of his earlier work. He's just lost the ability to shape it into something artful.Read the full review

Boston Globe | Wesley MorrisAdd Critic to Favorites

Argento set a standard a lot of moviemakers are desperate to surpass. It's not simply that he's crazy about gore and supernatural hokum. It's that he understands that storytelling is both an art and a craft. His filmmaking carries you along on the illusion of effortlessness; amusement, suspense, a certain elegance follow.Read the full review

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