Never Die Alone Critic Reviews
Metascore®:
Based upon 12 Critic ReviewsHighest Rated
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Never Die Alone is [Dickerson's] best work to date, with the complexity of serious fiction and the nerve to start dark and stay dark, to follow the logic of its story right down to its inevitable end.Read the full review
That the film finds its own groove is due largely to the eye of director Ernest Dickerson. Not surprisingly, he began his career as a cinematographer, working on Spike Lees early films.Read the full review
Primarily a riveting genre film that neatly exhibits the director's growing assurance -- Donald Goines would be proud. Read the full review
Almost everything that frames the drug dealer's tale is facile and second-rate. Simply put, you don't believe it. What you do believe is DMX's cruel charisma.Read the full review
Largely overcomes key cast weaknesses to deliver a jazzy, darkly textured rendering of the ghetto pulp of late African-American ex-con author Donald Goines.Read the full review
Invites us to both hate King David and admire his style, and there will probably be some hand-wringing about that.Read the full review
Pulpy, fairly speedy but just the same old urban thing by its wrap-up.Read the full review
Though steeped in both subgenres, Never Die Alone subverts that vicarious enjoyment by showing violence and abuse so unrelentingly ugly that only a sadist could derive the least bit of pleasure from it.Read the full review
Played by DMX in a gravel-pit monotone and a near-total lack of affect, King David cuts an unremittingly tedious swath through Never Die Alone. Read the full review
Possibly the worst thug-life flick to be released in the past 72 hours, this movie sags under the weight of the bling-bling cliches strung around its headless neck. Read the full review