North Country Critic Reviews

Metascore®:

73 =
Based upon 15 Critic Reviews
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Boston Globe | Wesley MorrisAdd Critic to Favorites

It infuriated me. It broke my heart. It convinced me that Caro, who's from New Zealand, is a strong, clear-voiced filmmakerRead the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

After "Monster," here is another extraordinary role from an actress [Theron] who has the beauty of a fashion model but has found resources within herself for these powerful roles about unglamorous women in the world of men.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Might have been richer, tougher, more honestly liberal if it had revealed a few more shades of gray among the men.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

To see this overly schematic movie, is to be made to feel -- inaccurately as it turns out -- that the whole thing is a hopelessly exaggerated fabrication. The taint of the melodramatic techniques used in key segments infects the entire movie and makes us question the truth of a significant historical reality.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Stirring and emotionally forceful.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Any similarities between Josey and Lois Jenson, the real woman who made Eveleth Mines pay for their sins in a landmark 1988 class-action suit, are purely coincidental. Instead, we get a TV-movie fantasy of female empowerment glazed with soap-opera theatrics.Read the full review

San Francisco Chronicle | Ruthe SteinAdd Critic to Favorites

Richard Jenkins gives the standout supporting performance, worthy of Oscar consideration, as Josey's father, a miner unable to conceal his anger at his daughter for having a child out of wedlock and, now, creating dissension at his workplace.Read the full review

Slate | David EdelsteinAdd Critic to Favorites

Powerful and then some.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

The issue of sexual politics so dominates the story that it's a relief when an emotional showdown involves family rather than workplace issues. Not so surprisingly, these are the movie's best scenes.Read the full review

The New York Times | Manohla DargisAdd Critic to Favorites

That the film works as well as it does, delivering a tough first hour only to disintegrate like a wet newspaper, testifies to the skill of the filmmakers as well as to the constraints brought on them by an industry that insists on slapping a pretty bow on even the foulest truth.Read the full review

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