Northfork Critic Reviews
Metascore®:
Based upon 12 Critic ReviewsHighest Rated
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There has never been a movie quite like Northfork The movie is visionary and elegiac, more a fable than a story, and frame by frame, it looks like a portfolio of spaces so wide, so open, that men must wonder if they have a role beneath such indifferent skies.Read the full review
A thoroughly original accomplishment of a high artistic order, Northfork features flawless, spare production design by Ichelle Spitzig and the Polish brothers' father, Del, and cinematographer M. David Mullen's striking images slide effortlessly into Dalí-like Surrealism.Read the full review
There is nothing quite like this movie, and I'm not altogether sure there is much more to it than its lovely peculiarity. But at a moment when so many films strive to be obvious and interchangeable as possible, it is gratifying to find one that is puzzling, subtle and handmade. Read the full review
With their third film, the Polish brothers find their authorial voice, resulting in a lyrical work whose free-floating Lynchian weirdness coalesces into an unexpectedly touching movie.Read the full review
Love it or hate it, Northfork is a cinematic vision (visually and textually) unlike any with which most moviegoers, even arthouse regulars, will be familiar.Read the full review
Isn't everyone's cup of tea -- as the Polishes admit in a clever bit of critical preemption -- but it possesses an undeniable, haunting grandeur. Read the full review
This is very much the bargain that Northfork offers an audience: Buy into the brothers' elegiac meditation on angels, Eden, and the death of American innocence or sit back and scoff at it as so much David Lynch lite. Read the full review
The cinematic equivalent of an elaborate and poetically constructed non sequitur.Read the full review
Moody and atmospheric -- a study in tone over plot and pacing over characterization. Unfortunately, in devoting all of their efforts towards the film's look and feel, co-creators Mark and Michael Polish have crafted a motion picture that is static, occasionally opaque, and, worst of all, boring. Read the full review
It's just too lost in its own presumed self-enchantment. Read the full review