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To an astonishing degree, O gets the tragic Shakespeare mood, that somber stentorian passion born of hidden slivers of ambition and betrayal.Full Review
A good film for most of the way, and then a powerful film at the end, when, in the traditional Shakespearean manner, all of the plot threads come together, the victims are killed, the survivors mourn, and life goes on.Full Review
O has one advantage over "Othello" -- since it's a new movie, not a classic, it has the power to surprise.Full Review
Essential to the success it manages is Hartnett's low-key, charismatic performance -- cool, withholding, compelling. The triumph of his insinuating Hugo/Iago is how plausible he is, how he manages to convincingly inject poison in so many minds without seeming to be trying.Full Review

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