Paradise Road Critic Reviews

Metascore®:

54 =
Based upon 11 Critic Reviews
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ReelViews | James BerardinelliAdd Critic to Favorites

The exceptionally strong cast showcases American, British, and Australian actresses, all of whom show an astonishing willingness to appear in physically unflattering circumstances (no makeup, hair and skin caked with drying mud).Read the full review

Variety | Emanuel LevyAdd Critic to Favorites

Though carefully rendered from a historical perspective, this powerful account of female friendship and bonding under the most cruel conditions lacks the narrative focus and dramatic shapeliness to generate emotional excitement.Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

In trying to keep track of everybody while providing enough melodrama to sustain an atmosphere of controlled terror, Paradise Road stumbles all over itself and never really finds its center.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

Beresford, who'd like to teach the world to sing, makes the moment as moving as a Coca-Cola jingle. It's not the real thing, but it's effective.Read the full review

San Francisco Chronicle | Peter StackAdd Critic to Favorites

A big problem in the beautifully shot movie, with top-billed Glenn Close heading a fine ensemble cast, is that there are too many characters.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

But what the movie lacks is a story arc to pull us through.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

A warmhearted horror show that puts cliched movie people into a realistic situation, the signals it sends out are nothing but mixed.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

What should have been an affecting film becomes a rank blend of sentiment and sadism in the hands of Bruce Beresford, the Australian writer and director.Read the full review

Washington Post | Rita KempleyAdd Critic to Favorites

A queasy union of savagery and uplift, the film ought to be unnerving. Instead, it finally becomes routine. [18Apr1997 Pg. C.07]Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

There's grist here for a genuinely stirring film. But writer-director Bruce Beresford -- who created the screenplay from interviews with real-life World War II prisoners (who also performed music for the Japanese) -- reduces everything to its most uninteresting banality. [18Apr1997 Pg. N.44]Read the full review

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