Paris (2009) Critic Reviews

Metascore®:

75 =
Based upon 11 Critic Reviews
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San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Klapisch's masterstroke was to place at the center of a movie a man, forced by circumstances, to stop and simply observe.Read the full review

Washington Post | Ann HornadayAdd Critic to Favorites

Paris is a funny, sad, romantic and deeply felt love letter to a great city. If you can't book a trip now, it's the next best thing.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Every character has life and depth. It's unusual for an episodic film to involve us so well in individual lives; as the narrative circles through their stories, we're genuinely curious about what will happen next.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Not much happens during the course of the movie but, as with all good dramas, the protagonists are richly drawn and the events of their lives become of interest.Read the full review

Los Angeles Times | Sheri LindenAdd Critic to Favorites

If the idea of interconnectedness feels secondhand, what's fresh and affecting is the way Binoche's and Duris' characters navigate life and death.Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

There are enough intersecting characters from different classes and backgrounds in Paris to evoke the city as a complex, healthy organism, whose parts are all connected. If it is too lighthearted to show the actual political and economic machinery behind it, its celebration of how well that machinery works produces a pleasant afterglow.Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

As a whole, though, Paris pulses with a contemporary version of the energy that animated Balzac's novels, or Colette's accounts of the life she observed from the window of her apartment in the Palais Royal.Read the full review

The Onion (A.V. Club) | Nathan RabinAdd Critic to Favorites

Paris flits from story to story and character to character without doing justice to any of them.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

There are too many secondhand characters roving through Paris.Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

The best armchair holiday going - the cast is lovely to behold and the plot dips in and out of the arrondissements with panache. You almost don’t mind that none of it adds up to terribly much.Read the full review

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