Plot & Details
A Passage to India, director David Lean's final film (for which he also received editing credit), breaks no new ground cinematically, but remains an exquisitely assembled harkback to such earlier Lean epics as Doctor Zhivago and Ryan's Daughter. Based on the novel by E. M. Forster, the film is set in colonial India in 1924. Adela Quested (Judy Davis), a sheltered, well-educated British woman, arrives in the town of Chandrapore, where she hopes to experience "the real India". Here she meets and befriends Dr. Aziz (Victor Banerjee), who, despite longstanding racial and social taboos, moves with relative ease and freedom amongst highborn British circles. Feeling comfortable with Adela, Aziz invites her to accompany him on a visit to the Marabar caves. Adela has previously exhibited bizarre, almost mystical behavior during other ventures into the Indian wilderness: this time, she emerges from the caves showing signs of injury and ill usage. To Aziz' horror, he is accused by Adela of raping her. Typically, the British ruling class rallies to Adela's defense, virtually convicting Aziz before the trial ever begins. Though he is eventually acquitted due to lack of evidence (in fact, director Lean never shows us what really happened), Aziz is ruined in the eyes of both the British and his own people-as is Adela. Woven into these proceedings is a subplot involving Adela's elderly travelling companion Mrs. Moore (Peggy Ashcroft), who through a series of plot twists too complex to describe here becomes a heroine of the Indian Independence movement. A Passage to India was nominated for several Academy Awards, scoring wins in the categories of Best Supporting Actress (Peggy Ashcroft) and Best Original Score (Maurice Jarre). A theatrical version of A Passage to India, written by Santha Rama Rau, was previously adapted for television by the BBC in the mid-1970s.
- MPAA Rating: PG
- Genre(s): Drama
- Run Time: 163min.
- Theatrical Release Date: 08/21/1997
- DVD Release Date: 03/20/2001
- Director(s): David Lean
- Starring: Judy Davis , Victor Banerjee , Peggy Ashcroft , James Fox , Alec Guinness
- Themes: Culture Clash,Miscarriage of Justice,Colonialism
- Tone: Atmospheric,Cerebral,Deliberate,Enigmatic,Lavish
- Keywords: Britain,East Indian,accusation,cave,colonialism,courtroom,criminal,cross-cultural-relations,culture-clash,doctor/nurse,false-accusation,friendship,guide,rape,rival,tourist,train [locomotive]
- Language: English
Awards
Academy Awards
| Year | Award | Category | Cast & Crew | Result |
|---|---|---|---|---|
| 1984 | Academy of Motion Picture Arts and Sciences | Best Picture | Richard Goodwin | Nominated |
| 1984 | Academy of Motion Picture Arts and Sciences | Best Art Direction | John Box | Nominated |
| 1984 | Academy of Motion Picture Arts and Sciences | Best Original Score | Maurice Jarre | Won |
| 1984 | Academy of Motion Picture Arts and Sciences | Best Director | David Lean | Nominated |
| 1984 | Academy of Motion Picture Arts and Sciences | Best Art Direction | Les Tomkins | Nominated |
| 1984 | Academy of Motion Picture Arts and Sciences | Best Art Direction | Hugh Scaife | Nominated |
| 1984 | Academy of Motion Picture Arts and Sciences | Best Sound | Nicolas Le Messurier | Nominated |
| 1984 | Academy of Motion Picture Arts and Sciences | Best Costume Design | Judy Moorcraft | Nominated |
| 1984 | Academy of Motion Picture Arts and Sciences | Best Sound | Graham Hartstone | Nominated |
| 1984 | Academy of Motion Picture Arts and Sciences | Best Editing | David Lean | Nominated |
| 1984 | Academy of Motion Picture Arts and Sciences | Best Sound | Michael Carter | Nominated |
| 1984 | Academy of Motion Picture Arts and Sciences | Best Adapted Screenplay | David Lean | Nominated |
| 1984 | Academy of Motion Picture Arts and Sciences | Best Picture | Lord John Brabourne | Nominated |
| 1984 | Academy of Motion Picture Arts and Sciences | Best Cinematography | Ernest Day | Nominated |
| 1984 | Academy of Motion Picture Arts and Sciences | Best Actress | Judy Davis | Nominated |
| 1984 | Academy of Motion Picture Arts and Sciences | Best Sound | John Mitchell | Nominated |
| 1984 | Academy of Motion Picture Arts and Sciences | Best Supporting Actress | Peggy Ashcroft | Won |
British Academy of Film and Television Arts
| Year | Award | Category | Cast & Crew | Result |
|---|---|---|---|---|
| 1985 | British Academy of Film and Television Arts | Best Cinematography | Ernest Day | Nominated |
| 1985 | British Academy of Film and Television Arts | Best Actress | Peggy Ashcroft | Won |
| 1985 | British Academy of Film and Television Arts | Best Score | Maurice Jarre | Nominated |
| 1985 | British Academy of Film and Television Arts | Best Picture | Nominated | |
| 1985 | British Academy of Film and Television Arts | Best Costumes | Judy Moorcraft | Nominated |
| 1985 | British Academy of Film and Television Arts | Best Supporting Actor | James Fox | Nominated |
| 1985 | British Academy of Film and Television Arts | Best Production Design | John Box | Nominated |
Golden Globes
| Year | Award | Category | Cast & Crew | Result |
|---|---|---|---|---|
| 1984 | Hollywood Foreign Press Association | Best Screenplay | David Lean | Nominated |
| 1984 | Hollywood Foreign Press Association | Best Director | David Lean | Nominated |
| 1984 | Hollywood Foreign Press Association | Best Performance by an Actress in a Supporting Role in a Motion Picture | Peggy Ashcroft | Won |
| 1984 | Hollywood Foreign Press Association | Best Original Score | Maurice Jarre | Won |
| 1984 | Hollywood Foreign Press Association | Best Foreign Film | Won |
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