Phenomenon (1996) Critic Reviews

Metascore®:

47 =
Based upon 10 Critic Reviews
See all Phenomenon (1996) reviews at
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

It's about change, acceptance and love, and it rounds those three bases very nicely, even if it never quite gets to home.Read the full review

USA Today | Susan WloszczynaAdd Critic to Favorites

Phenomenon is a fantasy about super-intelligence that works best if you can switch off your brain. Those who can will reach weepy nirvana. Those who can't will find this sticky-sweet wallow a bit, well, dumb. [03 Jul 1996 Pg.01.D]Read the full review

San Francisco Chronicle | Peter StackAdd Critic to Favorites

But this soggy, sentimental tour through a rural dreamworld of salt-of- the-earth versus supercharged intelligence never quite gets deep enough to touch the soul -- or to make sense.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Put simply, this movie is dumb.Read the full review

Entertainment Weekly | Ken TuckerAdd Critic to Favorites

Phenomenon (directed by Jon Turteltaub, the guy who sedated us with "While You Were Sleeping") would be pretty unbearable were Travolta not so consistently charming.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Well-meaning and convinced it has something of value to say, its "Reach Out and Touch Someone" sensibility ensures that all its satisfactions will prove hollow, and so they do.Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

Instead, director Jon Turteltaub has taken the easiest road, emerging with a soppy, soft-headed disease-of-the-week-style piece that sentimentalizes or opts out of every interesting issue the script raises.Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

While Phenomenon attempts, tritely, to ascend into mind-blowing significance, it also plummets into a pit of sentimental mush.Read the full review

The New York Times | Elvis MitchellAdd Critic to Favorites

A whopping wrong turn throws this lightweight, benign-looking movie terminally off course.Read the full review

Washington Post | Hal HinsonAdd Critic to Favorites

Still, well-intentioned sappiness is something we can deal with; the lack of any genuine dramatic conflict is a more damaging shortcoming.Read the full review

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