PI Critic Reviews

Metascore®:

77 =
Based upon 11 Critic Reviews
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The Onion (A.V. Club) | Joshua KleinAdd Critic to Favorites

Aronofsky's ability to capture the rush and confusion of racing down a timeline toward infinity, only to suddenly slam into a dead end, makes for impressive and occasionally disturbing stuff.Read the full review

Los Angeles Times | Kevin ThomasAdd Critic to Favorites

It is a brilliant intellectual adventure that fans of bold independent filmmaking will want to experience, even though the ending is something of a letdown. Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The seductive thing about Aronofsky's film is that it is halfway plausible in terms of modern physics and math.Read the full review

Slate | David EdelsteinAdd Critic to Favorites

This is very much a first feature, with all the hyperbolic, sometimes indiscriminate cinematic energy of a student film. But it's also sensational, a febrile meditation on the mathematics of existence.Read the full review

San Francisco Chronicle | Bob GrahamAdd Critic to Favorites

It proceeds, weirdly enough, from the truly annoying to the absolutely fascinating. Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

The movie's freakazoid intensity gets to you, but there's something at once cramped and show-offy in Aronofsky's refusal to even slighty vary its atmosphere of shock-corridor burnout.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

For anyone who wants a movie to feed their intelligence and imagination more than their eyes and ears, Pi is a solid choice.Read the full review

Washington Post | Eve ZibartAdd Critic to Favorites

Pi may be the most engrossing piece of cyberpunk cinema yet.Read the full review

Variety | Dennis HarveyAdd Critic to Favorites

The film's imaginative, diverse images create a mind's-eye urban claustrophobia; such intensity may exhaust over 85 minutes' course, but it's never less than impressive. Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

As smart as it is, Pi is awfully hard to watch. Filmed with hand-held cameras in splotchy black-and-white and crudely edited, it has the style and attitude of a no-budget midnight movie.Read the full review

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