Pieces of April Critic Reviews

Metascore®:

78 =
Based upon 14 Critic Reviews
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The New York Times | A.O. ScottAdd Critic to Favorites

Hedges's intelligent and touching farce, Pieces of April, makes an important contribution to a small and insignificant subgenre: Thanksgiving Day failure. It does so by raising the bar. Read the full review

Washington Post | Ann HornadayAdd Critic to Favorites

Belongs, wholly and completely, to Clarkson, who delivers Joy's mordant asides and withering observations with a flawless balance of tartness and vulnerability.Read the full review

San Francisco Chronicle | Carla MeyerAdd Critic to Favorites

Both heartfelt and tough-minded.Read the full review

Variety | David RooneyAdd Critic to Favorites

A Thanksgiving family reunion comedy that sparkles with acerbic wit, original characters and genuine heart. Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

This film explores what low-budget films do best: the quirkiness of character, and slightly off-kilter comedy. Read the full review

The Hollywood Reporter | Duane ByrgeAdd Critic to Favorites

This warm and scruffy film may strike some as a mere period piece, but it's juiced with recognizable family trauma and garnished with a quirky sensibility -- it's the portrait of a group of people we come to care about. Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Despite its themes of terminal illness, dysfunctional families, and the need to heal old wounds, the film spends more time provoking laughter than tears. Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

Pieces of April would deserve your attention and respect even if all these colorful threads didn't come together into a luminous whole. But they do, beautifully and unaffectedly, because what's been on Mr. Hedges's mind is not just a comedy of alienation but a drama of acceptance and reconciliation. Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

It turns out to be an especially warm comedy with a hidden heart. It's a film whose humor has feeling behind it because writer-director Peter Hedges doesn't let his comedy overpower an understanding of how emotionally weighted family situations are always going to be. Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

The quaint racial blinders are really on the eyes of the filmmaker, Peter Hedges, who shoves his characters into the narrowest of sitcom slots and seals them there. Read the full review

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