Pretty Woman (1990) Critic Reviews

Metascore®:

60 =
Based upon 9 Critic Reviews
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The New York Times | Elvis MitchellAdd Critic to Favorites

Something special.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The sweetest and most openhearted love fable since "The Princess Bride."Read the full review

Washington Post | Rita KempleyAdd Critic to Favorites

Roberts and Richard Gere costar in this bubbly scamper, which goes to the head like champagne -- the cheap, sweet kind that leaves you with a throbbing head. And yet this monstrously derivative romance is great giddy fun.Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

But it's Roberts's memorably comic performance that is the most distinguishing aspect of the movie. As the gawky professional companion, she's ticklishly appealing.Read the full review

Variety | Staff (Not Credited)Add Critic to Favorites

Roberts handles the transition from coarse and gawky to glamorous with aplomb.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

For the first time in years (even counting his excellent work in “Internal Affairs”), Richard Gere's acting gears aren't too obviously apparent; Julia Roberts, though the breadth of her emotional range remains in question, is beautiful and can act - a not-bad blueprint for continued employment. [23 Mar 1990, Life, p.4D]Read the full review

Los Angeles Times | Sheila BensonAdd Critic to Favorites

Nothing works, except perhaps the sight of Julia Roberts' lean, well-tempered midsection and her roughly eight yards of legs that, in this frail comedy, are worked until they're almost a story point of their own. [23 Mar 1990, Calendar, p.F-14]Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

It's one of those self-consciously cute pictures, about as hard to take as a person who stands in front of a mirror and preens all day. [23 Mar 1990, Daily Datebook, p.E1]Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Starts out as a neo-Pygmalion comedy, but the film is slow, earnest, and rhythmless.Read the full review

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