Primeval Critic Reviews

Metascore®:

40 =
Based upon 8 Critic Reviews
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Entertainment Weekly | Gregory KirschlingAdd Critic to Favorites

Pit a reptile the size of a school bus against an American TV-news crew in war-scarred Burundi, and you get "Hotel Rwanaconda," a horror movie interested in cheesy scares and drawing attention to the plight of poor Africans. (So no, Primeval is not the '"serial killer'" film promised by the ads.)Read the full review

Variety | Dennis HarveyAdd Critic to Favorites

It's not exactly good, but it's not bad, and far from boring.Read the full review

The New York Times | A.O. ScottAdd Critic to Favorites

The screenplay, by John Brancato and Michael Ferris, tosses out a few chewy bits of B-movie wit, most of them supplied by Mr. Jones, who expresses the ambivalence of an African-American visiting the motherland through a series of bitter jokes.Read the full review

Los Angeles Times | Mark OlsenAdd Critic to Favorites

Strangely self-serious, and without covering the prerequisites of top-shelf nastiness that contemporary horror requires, this giant crocodile movie turns out to be neither fish nor fowl.Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

Primeval is a hoot if you're in the mood, though, and it gets points for trying to stuff a little globo-think into the minds of Friday night mayhem fans (who will probably rebel, since only one skull pops like a grape).Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

If there were a shred of sincerity to its straight-faced exposé of African strife, the film would be easier to forgive, but since it's really just a cheap horror-thriller about an ancient predator, the austere tone does it no favors.Read the full review

The Hollywood Reporter | Frank ScheckAdd Critic to Favorites

A low-rent monster movie that could well have been released by American International in the early 1970s, Primeval boasts a level of cheesiness that should well merit it a regular rotation on late-night cable.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

By the end of the film, I was hoping everyone on two legs would die, preferably suffering as much on screen as I was in the audience.Read the full review

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