Private Fears in Public Places Critic Reviews
Metascore®:
Based upon 8 Critic ReviewsHighest Rated
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A masterpiece by any measure, is fresh, immediate and contemporary, but its wintry yet warm perspective is suffused with the wisdom and experience of a great filmmaker who turns 85 on June 2.Read the full review
Resnais and Ayckbourn care primarily about observing these characters' private and public faces, who they are and who they present themselves as. To that end, they've achieved a mood of enchanting intimacy.Read the full review
The grand old filmmaker frames each scene like a fine painting. And fake snow falls with happy artificiality between rueful vignettes.Read the full review
The film is accessible, pleasant, dreamy, a touch goofy and melancholic. Its modernist gestures are little more than stylistic tics, but there's an image of snow falling on two clasped hands that is almost rapturous. The role of the artist remains, for Mr. Resnais, the role of a lifetime.Read the full review
This is a minor film from a master, which is disappointing, but nevertheless it has its charms, most notably in the acting by a cast of stage and screen veterans.Read the full review
Private Fears says that life is a smoldering holding pattern, but Resnais is gracious enough to blanket the embers with eternal snow.Read the full review
Despite a perfect cast of Resnais regulars plus the master's own impeccable crafting, the characters fail to grip, and with approximately 50 short scenes, development comes in fits and starts.Read the full review
Suffers from Resnais' inability to open it up and give it the look and pulse of a film.Read the full review