Private Fears in Public Places Critic Reviews

Metascore®:

74 =
Based upon 8 Critic Reviews
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Los Angeles Times | Kevin ThomasAdd Critic to Favorites

A masterpiece by any measure, is fresh, immediate and contemporary, but its wintry yet warm perspective is suffused with the wisdom and experience of a great filmmaker who turns 85 on June 2.Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

Resnais and Ayckbourn care primarily about observing these characters' private and public faces, who they are and who they present themselves as. To that end, they've achieved a mood of enchanting intimacy.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

The grand old filmmaker frames each scene like a fine painting. And fake snow falls with happy artificiality between rueful vignettes.Read the full review

The New York Times | Manohla DargisAdd Critic to Favorites

The film is accessible, pleasant, dreamy, a touch goofy and melancholic. Its modernist gestures are little more than stylistic tics, but there's an image of snow falling on two clasped hands that is almost rapturous. The role of the artist remains, for Mr. Resnais, the role of a lifetime.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

This is a minor film from a master, which is disappointing, but nevertheless it has its charms, most notably in the acting by a cast of stage and screen veterans.Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

Private Fears says that life is a smoldering holding pattern, but Resnais is gracious enough to blanket the embers with eternal snow.Read the full review

Variety | Jay WeissbergAdd Critic to Favorites

Despite a perfect cast of Resnais regulars plus the master's own impeccable crafting, the characters fail to grip, and with approximately 50 short scenes, development comes in fits and starts.Read the full review

San Francisco Chronicle | Ruthe SteinAdd Critic to Favorites

Suffers from Resnais' inability to open it up and give it the look and pulse of a film.Read the full review

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