Quick Change

As a screenplay -- as a story -- Change is a silly mess. Its direction is also perfunctory, a bland rendition of the usual chain of Hollywood events. But the main reason to watch Change is for Murray, of course. And no matter what formulaic claptrap is around him, he always redeems it with something comic. Full Review

In films like Quick Change, he is bogged down by scripts that don't begin to match his comic imagination. Even though he chose and developed Quick Change himself, Bill Murray deserves better than this clunky, stereotypical comedy. Full Review

As a screenplay -- as a story -- Change is a silly mess. Its direction is also perfunctory, a bland rendition of the usual chain of Hollywood events. But the main reason to watch Change is for Murray, of course. And no matter what formulaic claptrap is around him, he always redeems it with something comic. Full Review

As a performer, Murray moves through the film with a lovely doomed aplomb. And his quick verbal wit is almost enough to pull Quick Change off. But as a director, his inexperience costs him. His camera isn't as quick as his tongue. [13 Jul 1990, p.29] Full Review

Mr. Murray and his co-director, Howard Franklin, who adapted Jay Cronley's novel for the screen, succeed mainly in illuminating what made them want to direct the material. At least this picture struggles to emit a few gasps of fresh air as it goes down. [19 Jul 1990, p.A8] Full Review