Rachel Getting Married Critic Reviews

Metascore®:

84 =
Based upon 15 Critic Reviews
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Boston Globe | Wesley MorrisAdd Critic to Favorites

The movie's few false notes come from Lumet's script, which can be overly explanatory. Because Demme is opting for present-tense realism, the characters are forced to fill us in on who did what when to whom, why, and how.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

A friend asked: "Wouldn't you love to attend a wedding like that?" In a way, I felt I had. Yes, I began to feel absorbed in the experience. A few movies can do that, can slip you out of your mind and into theirs.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

A triumph -- Demme's finest work since "The Silence of the Lambs," and a movie that tingles with life.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Best and most unexpected of all, Rachel Getting Married dares to mix the bitter with the sweet. It understands that life-altering situations like weddings not only bring out the worst in human behavior but also the finest.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

At times, the movie gets bogged down in minutia but the emotions evoked and captured are as honest and brutal as one is likely to find on film.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

The acting is of the highest caliber. Winger, magnificent and too long between films, is a volcano of repressed anger.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

A fine ensemble piece, but a maddening and unjustified length.Read the full review

Slate | Dana StevensAdd Critic to Favorites

Hathaway transcends her usual complacency in this role and resists the temptation of using Kym's (and her own) wounded-bird appeal to let the character off the hook.Read the full review

The Hollywood Reporter | Deborah YoungAdd Critic to Favorites

A film whose lightness of touch rides a wave of family conflict to perfectly balance smiles and tears.Read the full review

The New York Times | A.O. ScottAdd Critic to Favorites

It’s a small movie, and in some ways a very sad one, but it has an undeniable and authentic vitality, an exuberance of spirit, that feels welcome and rare.Read the full review

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