Rachel Getting Married Critic Reviews

Metascore®:

84 =
Based upon 15 Critic Reviews
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The New York Times | A.O. ScottAdd Critic to Favorites

It’s a small movie, and in some ways a very sad one, but it has an undeniable and authentic vitality, an exuberance of spirit, that feels welcome and rare.Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

At its best in scenes featuring Hathaway's mercurial character. It's a triumphant and darkly nuanced role for her and a departure from the more lighthearted comedic performances she has given.Read the full review

Slate | Dana StevensAdd Critic to Favorites

Hathaway transcends her usual complacency in this role and resists the temptation of using Kym's (and her own) wounded-bird appeal to let the character off the hook.Read the full review

The Hollywood Reporter | Deborah YoungAdd Critic to Favorites

A film whose lightness of touch rides a wave of family conflict to perfectly balance smiles and tears.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

At times, the movie gets bogged down in minutia but the emotions evoked and captured are as honest and brutal as one is likely to find on film.Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

The life that swirls around Kym before, during and after her sister's densely populated, wonderfully detailed wedding seems to have been caught on the fly in all its sweetness, sadness and joy. (In its free-form style the film constitutes an elaborate homage to Robert Altman.)Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Best and most unexpected of all, Rachel Getting Married dares to mix the bitter with the sweet. It understands that life-altering situations like weddings not only bring out the worst in human behavior but also the finest.Read the full review

Washington Post | Michael O'SullivanAdd Critic to Favorites

The sprawling cast, the naturalistic, overlapping dialogue (here by screenwriter Jenny Lumet, daughter of director Sidney) and the swirling action: it seemed pure Robert Altman.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

A fine ensemble piece, but a maddening and unjustified length.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

A triumph -- Demme's finest work since "The Silence of the Lambs," and a movie that tingles with life.Read the full review

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