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Mr. Howard has made Ransom in the same clean, swift, logical style that sent his "Apollo 13" into orbit, resulting in a spellbinding crime tale that delivers surprises right down to the wire.Full Review
Although the story is built around the automatically emotional situation of an imperiled kid, scripters Richard Price (who appears briefly as an uncomfortably handcuffed victim of Sinise in the early going) and Alexander Ignon and director Ron Howard largely steer clear of milking the easy melodrama.Full Review
This is a blueprint for mainstream moviegoing, but be forewarned that the finale is surprisingly down-and-dirty. In this case, though, the violence blisteringly redeems what has been a merely OK thriller. [8Nov1996 Pg.01.D]Full Review
The movie would have benefitted from a tight rewrite (it is too ambitious in including plot threads it doesn't have time to deal with), but Gibson's strong central performance speeds it along.Full Review
Slick thrills and the star's blue eyes are enough to make Ransom the fall's monster hit. Instead, Howard and Gibson stake out a Moclock side in all of us that won't be banished, not even by a happy ending. I'll be damned.Full Review
