Reservoir Dogs Critic Reviews

Metascore®:

86 =
Based upon 11 Critic Reviews
See all Reservoir Dogs reviews at
Sorted by:
Entertainment Weekly | Ty BurrAdd Critic to Favorites

You may not like the terms Tarantino sets, but you have to admit he succeeds on them.Read the full review

Washington Post | Hal HinsonAdd Critic to Favorites

If Quentin Tarantino's gritty, bone-chilling, powerfully violent new film, Reservoir Dogs, doesn't pin your ears back, nothing ever will...[It's] as caustic as battery acid. It's brutal, it's funny and you won't forget it. Guaranteed.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

A brutal movie, brutal in all the right ways -- brutally stark, brutally funny, brutally brutal. [30 Oct 1992]Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

With the exception of the opening scene -- whose purpose is chiefly comic -- the movie is one, extended climax. Even with flashbacks and other time jumps, it never lets up. You have to go back to Henri-Georges Clouzot's 1952 "The Wages of Fear" to recall suspense this relentless.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Grabs you by the throat and digs its claws in deep. From the moment that the unwitting viewer tumbles into the realm of Lawrence Tierney's gang of eight, they are hopelessly trapped there until the final credits roll.Read the full review

The New York Times | Vincent CanbyAdd Critic to Favorites

Though small in physical scope, Reservoir Dogs is immensely complicated in its structure, which for the most part works with breathtaking effect. [23 Oct 1992]Read the full review

Variety | Staff (Not Credited)Add Critic to Favorites

An intense, bloody, in-your-face crime drama about a botched robbery and its aftermath, colorfully written in vulgar gangster vernacular and well played by a terrific cast.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

Too lingeringly creepy to ignore. [23 Oct 1992]Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Tarantino's palpable enthusiasm, his unapologietic passion for what he's created, reinvigorates this venerable plot and, mayhem aside, makes it involving for longer than you might suspect. [27 Oct 1992]Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The part that needs work didn't cost money. It's the screenplay. Having created the characters and fashioned the outline, Tarantino doesn't do much with his characters except to let them talk too much, especially when they should be unconscious from shock and loss of blood.Read the full review

Track Your Favorite Critics | Start Now