Revolutionary Road Critic Reviews
Metascore®:
Based upon 15 Critic Reviews- Highest Rated
- |
- Publications (A-Z)
- |
Critics (A-Z)
- |
- Favorite Critics
The result is that Revolutionary Road is a hard movie to love. Plenty of people will appreciate the hopelessness, but they might wish for a little less emptiness.Read the full review
It's not quite up to the caliber of Richard Yates' novel, which is deeply nuanced and rich in subtext. But the performances are superb, and the film is beautifully shot.Read the full review
It's a textbook example of a well-crafted movie, beautifully shot, impeccably acted, and structured like an elegant three-act play. So why does the movie feel as pleasantly deadening as the midcentury Connecticut suburb where it takes place?Read the full review
Revolutionary Road is a fine motion picture, but it's not a good choice to lighten a burden or brighten a night. It rewards in the ways that only tragedies can.Read the full review
The movie is stifling, all right, and depressing in the bargain.Read the full review
Both director and cast keep the familiar journey intense, but after capturing the death of love in those opening moments, the rest of the film too often feels like a study in dissection.Read the full review
Encouraged by Mendes' artful direction, his gift for eliciting naturalness, the core of this film finally cries out to us today, makes us see that the notion of characters struggling with life, with the despair of betraying their best selves because of what society will or won't allow, is as gripping and relevant now as it ever was. Or ever will be.Read the full review
In "Virginia Woolf," George and Martha are locked into a symbiotic, disturbingly needy relationship that absolutely feed off their acidic battles. But for Revolutionary Road's Frank and April Wheeler, you wonder: Why don't they just get a divorce?Read the full review
"Revolutionary Road" is the kind of great novel that Hollywood tends to botch, because much of it takes place inside the heads of its characters, and because the Wheelers aren't especially likeable and because pessimism without obvious redemption is a tough sell.Read the full review
The best American film of 2008.Read the full review