Right at Your Door Critic Reviews

Metascore®:

57 =
Based upon 9 Critic Reviews
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Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

There are no zombies to distract from the plausibility of Right at Your Door. And that's what makes this smart, coolly horrifying American indie thriller one of the scariest movies you're likely to see all year — a post-9/11 nightmare about terrorism, panic, and paranoia with real, waking-life implications.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

While this is admittedly not lighthearted mainstream fare, the subject matter is interesting and is handled in a manner that offers a compelling and sometimes unsettling 95 minutes.Read the full review

The Hollywood Reporter | Kirk HoneycuttAdd Critic to Favorites

The two actors are solid, never overplaying scenes and capturing well that slow realization that their lives are never going to be the same.Read the full review

San Francisco Chronicle | Pam GradyAdd Critic to Favorites

Grows more and more incredible leading up to a twist ending worthy of an O. Henry short story that is as appropriate as it is ridiculous.Read the full review

Washington Post | Ann HornadayAdd Critic to Favorites

First-time director Chris Gorak is no Rod Serling, and in his hands the enterprise tends toward the lurid, especially after his nifty third-act twist.Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

Chris Gorak grabs the viewer by the throat in the first few minutes, but quickly fritters away involvement by concentrating almost exclusively on two characters who are both annoying and boring.Read the full review

The New York Times | Neil GenzlingerAdd Critic to Favorites

The film, especially in its resolution, feels a bit like a “Twilight Zone” episode and might have been better at that length, but the acting’s pretty good, and the cinematography keeps things lively.Read the full review

Los Angeles Times | Staff (Not credited)Add Critic to Favorites

A dumb twist can be excused, however, if your characters keep the thing afloat, which makes perhaps the most unforgivable sin of this claustrophobic terror scenario the fact that we have to spend it with arguably the two least interesting people in Los Angeles.Read the full review

Boston Globe | Ty BurrAdd Critic to Favorites

The film is low budget but puffed with self-importance, and it offers proof that Hollywood filmmakers should probably steer clear of topics that actually matter.Read the full review

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