Road to Perdition Critic Reviews

Metascore®:

78 =
Based upon 14 Critic Reviews
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Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Mendes, in only his second feature (following the Oscar-winning "American Beauty"), has told this surprisingly resonant story with the potent, unrelenting fatalism of a previously unknown Greek myth.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Has the juice to get its hooks into you, knock you off balance and keep you that way for two hours. It's a triumph for director Sam Mendes. The passion and precision of his Road work is staggering.Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

A truly majestic visual tone poem.Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

Sam Mendes' much-anticipated second effort after his Oscar-winning "American Beauty" finds him working in a very different key while displaying an even more pronounced attentiveness to tone, genre variations and artistic niceties.Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

Long and winding though it may be, Road to Perdition gets to places that are well worth the trip.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

Impressive yet always self-conscious, Perdition has more class and less sass than any movie in a while.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Choice, a luxury of the Corleones, is denied to the Sullivans and Rooneys, and choice or its absence is the difference between Sophocles and Shakespeare. I prefer Shakespeare.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Subdued yet percolating with suppressed emotion.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

There's much that's simplistically grand, worthy, and fine in Perdition. If I yearn for less measured filmmaking that cries out with more reckless despair, it's because I think hell on earth is a meaner, much more interesting, and far less tidy cinematic place than Mendes trusts his audience to handle.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Romanticizes gangland Chicago, but no more so than other films set in the same period. And, like almost every movie about the mob, this one deals with themes of family, loyalty, and betrayal -- albeit without the intensity of some of the great ones ("The Godfather," "Goodfellas").Read the full review

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