Rob Roy (1995) Critic Reviews

Metascore®:

58 =
Based upon 11 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

This is a splendid, rousing historical adventure, an example of what can happen when the best direction, acting, writing and technical credits are brought to bear on what might look like shopworn material.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

As embodied by Liam Neeson, Rob Roy is a tremendous protagonist -- a naive man whose belief in honor and whose love for a woman, family, and clan make him a figure to cheer for.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

A rousingly square romantic epic spiced with dashes of sex and bloodlust; it's "Robin Hood" meets "The Last of the Mohicans" meets "Death Wish".Read the full review

Washington Post | Desson ThomsonAdd Critic to Favorites

Thanks to screenwriter Alan Sharp's fast-moving scenario featuring a healthy array of rape, pillage, burning, deceit, swordfighting, treachery and murder, it's a watchable hoot.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

Casting, in fact, is Rob Roy's dominant virtue, a hedge against its overlong 2 1/4-hour running time and some initial reluctance to get rolling. [7 Apr 1995, p.01.D]Read the full review

San Francisco Chronicle | Peter StackAdd Critic to Favorites

Like a coffee-table book, it looks inviting and teases you with sumptuous photography but leaves you cold.Read the full review

The New York Times | Janet MaslinAdd Critic to Favorites

Rob Roy is best watched for local color and for its hearty, hot-blooded stars.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

You always know where it's going even as it meanders for two and a half hours getting there.Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

This handsome, not unappealing look at a Scottish legend of nearly 300 years ago is too solemn, wooden and dour for its own good, and feels oddly of another era.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Working with cinematographer Karl Walter Lindenlaub, director Caton-Jones has givenRob Roy a beautiful wide-screen look, filled with gorgeous vistas. But this film is like a color Xerox copy of the real thing: hard to tell from an original until you look closely at the details.Read the full review

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