Run Lola Run Critic Reviews

As essential in its own way as Anton Karas' celebrated zither work was to "The Third Man," Lola's music is perfectly suited to the film's aims and just about addictive in its throbbing, insinuating rhythms.Read the full review

Fabulously kinetic.Read the full review

An existential chain reaction, yet as remarkable as his cinematic gamesmanship is the way that he traces the anatomy of feeling in Lola.Read the full review

A highly accomplished, compact feature, which, while it may be light on depth, is rich in humor, rhythm, energy and inventiveness.Read the full review

Has as much depth as it has energy and action.Read the full review

Tykwer deliberately blows away all traces of the mundane and the familiar, so that not even the closing credit crawl moves in the expected way.Read the full review

It's both fractured and fluid, with a helter-skelter syntax and a ceaselessly infectious backbeat. Beyond that, it's a blast.Read the full review

The action is so fast that the viewer almost breaks out in a sweat...Ultimately vapid. Lola never does develop as a character, and the fuss seems ultimately pointless.Read the full review

I would not want to see a sequel to the film, and at 81 minutes it isn't a second too short, but what it does, it does cheerfully, with great energy, and very well.Read the full review