Saw II Critic Reviews
Metascore®:
Based upon 10 Critic ReviewsHighest Rated
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For the most part the film succeeds in producing a frightening Halloween weekend experience.Read the full review
The killer himself takes a far more prominent role in this edition, and as played by the superb Tobin Bell he's quite a memorable creation.Read the full review
The contest is close, but Saw II is just barely a better B flick than "Saw."Read the full review
It's clear this sequel (directed by Darren Lynn Bousman) doesn't have the same smartness (I speak relatively) of the original. Nonetheless, "Saw" fans can still look forward to involuntary incineration, wrist and throat slashing, bullets through brains and the bashing of someone's head with a nail-festooned club.Read the full review
It's fully apparent that this sequel is more trick than treat and doesn't really compare to its fine predecessor - though it still manages to be eye-opening (and sometimes positively nauseating) in itself.Read the full review
Basically, this is a really good movie until the last part, where director and co-writer Darren Lynn Bousman ruins so much so fast that you'll wonder if his actions are deliberate -- or if the studio interfered.Read the full review
New pic lets the air out by divulging the startling mystery that concluded the original. Add this to problematic juggling of police procedural and group-in-distress storylines, and Lions Gate has what looks like a sequel rushed for Halloween.Read the full review
Stripped down to the barest genre essentials, Saw is a spring-loaded killing machine, packed with sadistic little deathtraps and ludicrous macabre twists, and its quickie sequel offers more of the same, which should again appease viewers who enjoy being jerked around.Read the full review
Whether we're talking this go-round, the original or the second sequel the finale seems to promise, I'd rather try standing drunk on a see-saw (though maybe not over dirty syringes) than see Saw.Read the full review
The product of immaturity. It approaches suffering with a meaninglessness that must be a luxury for anyone who has never lost anyone, or is incapable of empathizing with someone who has.Read the full review