Scent of a Woman Critic Reviews
Metascore®:
Based upon 9 Critic Reviews- Highest Rated
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By the end of Scent of a Woman, we have arrived at the usual conclusion of the coming-of-age movie, and the usual conclusion of the prep school movie. But rarely have we been taken there with so much intelligence and skill.Read the full review
In the end, Scent of a Woman offers little more than lumbering simulation of Rain Man's nimble magic. But Pacino's performance-scabrous, tender, ripely theatrical-is a master showman's trick.Read the full review
But it's essentially a tour de force for Pacino, and he sustains us through the slow passages by working with a closed-in intensity that turns each scene into a kind of mini-movie complete with its own ticking time bomb. [23Dec1992 Pg. 1]Read the full review
If there's anything special about the film, it's that on this occasion, the emotional realism of the characters, especially Slade, is heartwrenchingly believable.Read the full review
The movie, however, is a crock.Read the full review
The good thing is that the principals and film makers make the absolute most of a conventional opportunity.Read the full review
A 2 1/2-hour movie with halves that don't quite mesh, it still gives Al Pacino a role that's a perfect fit. [23 Dec 1992 Pg. 01.D]Read the full review
This is a great performance from Pacino, who has the good luck here to work with Goldman's mostly wonderful, edgy script, but it might not become a beloved one because the man he plays is such a bitter pill.Read the full review
In the end, however, when all Pacino's demons are bared, they don't add up to the poignant punchline you were set up for. The movie seems to have two or three finales too many -- a disturbing trend in all too many films of late.Read the full review
