Scream 2 Critic Reviews
Metascore®:
Based upon 11 Critic ReviewsHighest Rated
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This funny, gory stab-athon is as sophisticated about the mechanics of Part 2s as the original was savvy about horror flicks.Read the full review
Visceral, witty and appropriately redundant, the sequel has a winning commercial recipe that's certain to cook up excellent returns in all areas.Read the full review
Only a few sequels have been as good as the originals; the characters especially like "Aliens'' and "The Godfather, Part II.'' As for Scream 2, it's ... well, it's about as good as the original.Read the full review
Though Craven satirizes horror cliches, he also knows how to cut through them and do new things. Throughout, the action comes unexpectedly and quickly.Read the full review
Paradoxically, there's a lot less gore. There is blood, of course, but nothing excessive by slasher-movie standards, and there are no depictions of spilled entrails. Craven has remembered that scares are more important that graphic displays of human insides and bodily fluids.Read the full review
Even if you haven't spent as much obsessive time at the video store as these guys have, you might enjoy helping 'Scream 2' laugh all the way to the bank.Read the full review
[Craven's] stroke of genius is to offer the horror movie in an ironic mode. He's winking at viewers and inviting them to share a clever conspiracy that we on the cholesterol-clogged side of 30 cannot begin to understand. Read the full review
Early on, Randy suggests of sequels that "by definition they are inferior." That may be, but Scream 2 is more disappointing than it is inferior. Like its predecessor, it's both frightening and funny, just not as singularly classy.Read the full review
I'm not sure that I really want to see "Scream 3,'" but Craven, Williamson, and the screamers certainly bring this one off by not only slapping all their cards on the table, but insisting we admire the way they play them.Read the full review
When the suspense setpieces do come, many of them are staged with considerably less imaginationwith cheap jolts underscored by an intrusive scorethan would be expected from director Wes Craven.Read the full review