Secuestro Express (Kidnap Express) Critic Reviews

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The Hollywood Reporter | Sura WoodAdd Critic to Favorites

Jakubowicz's direction is assured except in the film's final moments, when he makes a clumsy attempt at sociopolitical philosophy that is delivered by an omniscient narrator. It's an indulgence that threatens to undercut the ferocity that precedes it.Read the full review

The New York Times | Laura KernAdd Critic to Favorites

The constant threat of violence and rape is difficult to endure, but the unpredictable Secuestro Express is more than just a dizzying thrill ride laced with small doses of pitch-black comic relief.Read the full review

Los Angeles Times | Kevin ThomasAdd Critic to Favorites

Jakubowicz has aptly said of his film that "the beauty of Secuestro Express is how localized it is. The more local it becomes, the more universal it becomes." The truth of his remark resonates throughout this fast and furious film.Read the full review

Variety | Robert KoehlerAdd Critic to Favorites

Assuming the victims' point of view in the type of kidnapping that's now epidemic in Latin America, Jonathan Jakubowicz's Kidnap Express depicts a nocturnal Caracas with tense energy.Read the full review

San Francisco Chronicle | Walter AddiegoAdd Critic to Favorites

Has more in common with a horror movie than with a genuine political work.Read the full review

The Onion (A.V. Club) | Nathan RabinAdd Critic to Favorites

Writer-director Jonathan Jakubowicz does his best Quentin Tarantino impersonation, loading the film with percussively profane dialogue, smug adolescent nihilism, rampant drug use, pop-culture references, homophobic invective, and empty stylistic excess.Read the full review

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