Shall We Dance? Critic Reviews

Metascore®:

77 =
Based upon 9 Critic Reviews
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Washington Post | Stephen HunterAdd Critic to Favorites

But the movie has a great deal of zest and charm, and Yakusho gets so exactly that crest of melancholy that is a man’s early 40s, until he decides to go for another kind of life, that the movie is infinitely touching.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

One of the more completely entertaining movies I've seen in a while--a well-crafted character study that, like a Hollywood movie with a skillful script, manipulates us but makes us like it.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Even when the catharsis we yearn for arrives, it's tinged with restraint. But then, the true romance in Shall We Dance? is more than personal. It's the spectacle of a nation learning to dance with itself.Read the full review

The Onion (A.V. Club) | Nathan RabinAdd Critic to Favorites

While the characters, situations, and gags are all familiar, Shall We Dance?'s gentle humanity and quiet exuberance are contagious.Read the full review

The New York Times | Elvis MitchellAdd Critic to Favorites

And the dancing, as in ''Strictly Ballroom,'' is filmed with a wishful Fred-and-Ginger sweetness that gives the film a studiously effervescent mood.Read the full review

San Francisco Chronicle | Ruthe SteinAdd Critic to Favorites

Good in their individual scenes, Yakusho and Kusakari are magical together. They convey so much yearning -- not so much for each other as for that extra something to give real meaning to their lives.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

This is a film for anyone who prefers to leave the theater smiling.Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

Has its moments - but far too many of them. It runs two hours and seems to end five times.Read the full review

Slate | Sarah KerrAdd Critic to Favorites

It's alert to its characters' constantly evolving desires in ways that high- and low-culture movies, with their strict aesthetics or their mass-market formulas, tend not to be.Read the full review

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