Shallow Grave (1995) Critic Reviews

Metascore®:

68 =
Based upon 11 Critic Reviews
See all Shallow Grave (1995) reviews at
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San Francisco Chronicle | Edward GuthmannAdd Critic to Favorites

In his big-screen directing debut, British film maker Danny Boyle demonstrates wit, intelligence and economy of style.Read the full review

Variety | Derek ElleyAdd Critic to Favorites

Shallow Grave, a tar-black comedy that zings along on a wave of visual and scripting inventiveness.Read the full review

Wall Street Journal | Julie SalamonAdd Critic to Favorites

This clever thriller has the juiced-up, hyperactive feel of a rock video. [07 Mar 1995]Read the full review

Boston Globe | Jay CarrAdd Critic to Favorites

Black comedy and film noir are around one another smartly and wickedly in Danny Boyle's Shallow Grave, a tense, twisty Scottish-made thriller that's going to break out of Glasgow in a big way. [24 Feb 1995]Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Taken as a whole, Shallow Grave is a reasonably enjoyable (for those captivated by this sort of thing) black comedy/noir thriller that justifies at least a portion of the praise being heaped upon it from overseas.Read the full review

Entertainment Weekly | Scott BrownAdd Critic to Favorites

Danny Boyle's glittering, deadpan, nihilistic little thriller.Read the full review

The New York Times | Janet MaslinAdd Critic to Favorites

A sky-high level of misanthropy overwhelms his film in ways that prove more sour than droll, despite the presence of skillful actors and a bizarrely enveloping plot.Read the full review

Washington Post | Hal HinsonAdd Critic to Favorites

Boyle's characters, too, are young and fresh and promisingly rude - especially McGregor's Alex - but they become less and less interesting as the movie progresses.Read the full review

Washington Post | Desson HoweAdd Critic to Favorites

This is exactly the kind of weird, sardonic texture the movie is aiming for - and unfortunately, most of it occurs in the first half of the story.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

All of the materials are in place for a film that might have pleased Orwell. But somehow they never come together.Read the full review

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