Shaun of the Dead Critic Reviews

Metascore®:

76 =
Based upon 15 Critic Reviews
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Boston Globe | Wesley MorrisAdd Critic to Favorites

Every moment... is a cleverly constructed live-action joke on aloofness: The world is ending, and these people are too self-centered to notice.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

I like the way the slacker characters maintain their slothful gormlessness in the face of urgent danger, and I like the way the British bourgeois values of Shaun's mum and dad assert themselves even in the face of catastrophe.Read the full review

Entertainment Weekly | Lisa SchwarzbaumAdd Critic to Favorites

The daffy, innately British joke that propels the cheeky U.K. comedy hit Shaun of the Dead is that although real zombies have risen up -- slacker wankers Shaun (Simon Pegg) and his best pal and roommate, Ed (Nick Frost), are too slack, wankerish, and blitheringly British to notice. Read the full review

Los Angeles Times | Carina ChocanoAdd Critic to Favorites

It's a grisly but sweet ode to friendship, love and the George Romero zombie trilogy. Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

This is an unusual source of entertainment. Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Blast of fright and fun. Read the full review

San Francisco Chronicle | Carla MeyerAdd Critic to Favorites

Remarkably fresh and inventive. Read the full review

Slate | David EdelsteinAdd Critic to Favorites

The comic high point in Shaun of the Dead comes when Lucy Davis, from the great BBC sitcom "The Office," teaches the band of survivors how to lurch like zombies so that they can pass among the undead. Read the full review

The Hollywood Reporter | Ray BennettAdd Critic to Favorites

It's worth sticking around for the coda too as it contains some hilarious and very politically incorrect suggestions as to how zombies might be put to work once they've been tamed. Read the full review

The New York Times | Stephen HoldenAdd Critic to Favorites

By treating the genre as a joke, this satire, whose title plays off George A. Romero's 1979 golden oldie, "Dawn of the Dead," yields ironic dramatic dividends.Read the full review

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