Sherrybaby Critic Reviews

Metascore®:

72 =
Based upon 9 Critic Reviews
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Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

Maggie Gyllenhaal is such a miracle of an actress that she makes you respond to the innocence of Sherry's desperate, selfish destruction.Read the full review

The Hollywood Reporter | Duane ByrgeAdd Critic to Favorites

Buoyed by Gyllenhaal's hauntingly complex portrait of the vivacious but addictive Sherry, the film is no mere by-the-numbers chronology of addiction. Gyllenhaal's sympathetic and charismatic performance binds us to the horror of Sherry's personal demons.Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

What distinguishes the film from its many peers is the quality of Ms. Collyer’s writing -- which rarely reaches for obvious, melodramatic beats -- and the precision of Ms. Gyllenhaal’s performance. She treats the character neither as a case study nor as an opportunity to show off her range, but rather as a completely ordinary and therefore arrestingly complicated person.Read the full review

The Onion (A.V. Club) | Noel MurrayAdd Critic to Favorites

Theirs is a well-worn story that may not need to be told, but they do tell it well.Read the full review

San Francisco Chronicle | Ruthe SteinAdd Critic to Favorites

Keeps you riveted through parts that might otherwise be difficult to watch.Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

There is nothing flashy about these performances, but Gyllenhaal, Dillon and Gosling fully inhabit their characters, giving haunting portrayals. Watch for these names to emerge on the short list for Academy Award consideration.Read the full review

Variety | Dennis HarveyAdd Critic to Favorites

Gyllenhaal, in her most substantial role since "Secretary," does a fine, unshowy job of limning Sherry's faults without alienating the viewer or pleading for sympathy.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Sherrybaby is the kind of pretend-arty Sundance thing that gives indie cinema a bad name.Read the full review

Los Angeles Times | Carina ChocanoAdd Critic to Favorites

The problem with Sherry is that, unlike Ryan Gosling's Dan in "Half Nelson," whose humanity transcends his addiction and who is still capable, no matter how uneasily, to maintain relationships with others, she is a terminally uninteresting narcissist with a bad case of arrested development.Read the full review

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