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51
Based on 32 Reviews
critic reviews (10)
fan reviews ( 0 )
  • 50
    Mick LaSalle San Francisco Chronicle

    About one idea short of being an excellent teenage romance. As it stands it's a pleasing but routine effort. show more

  • 50
    Susan Wloszczyna USA Today

    What starts as a bright and bouncy time-waster that at least borrows from the best of its genre-defining ilk -- "Fast Times at Ridgemont High", "Clueless", "Carrie", "The Breakfast Club" -- eventually stumbles into sappy message-movie territory. [29 Jan 1999, p. 09E] show more

  • 40
    Joe Morgenstern Wall Street Journal

    She's All That isn't mindless, just techniqueless...What's on the screen says they aren't yet up to speed on making feature films. Most of the actors mumble while the script lurches from one sketchy notion to the next. All the same, She's All That offers insights into life as it is lived, or at least filmed, in Southern California. [29 Jan 1999, p. W1] show more

  • 50
    Carrie Rickey Philadelphia Inquirer

    The script, which needs not just doctoring and could benefit from a spell in the critical-care ward, is full of dress-up and put-downs, and comes alive only when Prinze or Cook are on-screen. In short, She's All That aspires to be Clueless. It succeeds in being clueless. show more

  • 50
    New York Daily News

    Well, it's not that hard to predict how this comedy with a little emotional depth will end. And that's not such a terrible thing, because She's All That delivers a lot of charm and quite a few nice comic touches. [29 Jan 1999, p.68] show more

  • 50
    The Hollywood Reporter

    Visually, the film is skin and bones. Iscove and cinematographer Francis Kenny ("A Night at the Roxbury") have the most fun with "Grease"-like dance numbers in the finale. [27 January 1999] show more

  • 75
    Gene Siskel Chicago Tribune

    Rachael Leigh Cook, as Laney, the plain Jane object of the makeover, is forced to demonstrate the biggest emotional range as a character, and she is equal to the assignment. I look forward to seeing her in her next picture. [29 Jan 1999, p.A] show more

  • 75
    Jay Carr Boston Globe

    In short, the film isn't afraid to wear its heart on its sleeve and bring conviction to its focus on feelings. It's written with enough dexterity and wit to make you buy into it. [29 Jan 1999, p.C4] show more

  • 75
    Ann Hornaday Baltimore Sun

    Aside from Lillard, the stand-out here is Cook, who plays a new breed of post-feminist Cinderella with a convincing mix of seriousness and vulnerability (although just once, it would be nice if Cinderella could keep her glasses on and still be beautiful). With her doe eyes and peaches-and-organic-yogurt complexion, Cook resembles a young Winona Ryder (if that's possible), right down to the appealing blend of sweetness and self-assurance. [29 Jan 1999: 1E] show more

  • 63
    Roger Ebert Chicago Sun-Times

    To give the movie credit, it's as bored with the underlying plot as we are. Even the prom queen election is only a backdrop for more interesting material, as She's All That explores differences in class and style, and peppers its screenplay with very funny little moments. show more

similar movies

  • Drive Me Crazy (1999)

  • Love Don't Cost a Thing (2003)

  • 10 Things I Hate About You (1999)

  • Can't Hardly Wait (1998)

  • Mean Girls (2004)

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