Short Cuts Critic Reviews

Metascore®:

88 =
Based upon 11 Critic Reviews
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Chicago Sun-Times | Roger EbertAdd Critic to Favorites

Los Angeles always seems to be waiting for something. Permanence seems out of reach; some great apocalyptic event is on the horizon, and people view the future tentatively. Robert Altman's Short Cuts captures that uneasiness perfectly.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

A rich, unnerving film, as comic as it is astringent, that in its own quiet way works up a considerable emotional charge. [8 Oct 1993]Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

It's a genuine pleasure to find a movie with such a deep and intelligent portrayal of simple human lives, with all their minor triumphs and tragedies.Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Part of the miracle of Robert Altman's triumphantly fierce, funny, moving and innovative Short Cuts is that you can't get this movie out of your head. You keep playing it back to savor its formula-smashing audacity, its peerless performances and its cleareyed view of blasted lives.Read the full review

San Francisco Chronicle | Edward GuthmannAdd Critic to Favorites

It's compelling, emotionally exhausting terrain, and Altman delivers it in cold, blunt strokes. [22 Oct 1993]Read the full review

The New York Times | Vincent CanbyAdd Critic to Favorites

It raises the spirits not by phony sentimentality but by the amplitude of its art. From time to time, it is also roaringly funny... A terrific movie. [1 Oct 1993, p.C1]Read the full review

USA Today | Mike ClarkAdd Critic to Favorites

This definitive "life goes on" movie does what Altman does best: juggle 22 characters, deftly switch moods, and offer a comlex warts-and-all characters whose lives seem to extend beyond the screen. Few movies attempt this; Fewer succeed. [1 Oct 1993]Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

Exploding Raymond Carver's spare stories and minimally drawn characters onto the screen with startling imagination, Robert Altman has made his most complex and full-bodied human comedy since "Nashville."Read the full review

Wall Street Journal | Julie SalamonAdd Critic to Favorites

Extraordinary...The movie has the intensity of an epic, only its subject matter is everyday life. [19 Oct 1993, p.A18(E)]Read the full review

Washington Post | Rita KempleyAdd Critic to Favorites

A cynical, sexist and shallow work from cinema's premier misanthrope, Robert Altman, who here shows neither compassion for -- nor insight into -- the human condition.Read the full review

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