Shortbus Critic Reviews
Metascore®:
Based upon 11 Critic ReviewsHighest Rated
- |
- Publications (A-Z)
- |
- Critics (A-Z)
- |
- Favorite Critics
Developed by Mitchell and the actors, the characters don't always seem consistent from moment to moment, but a sharp sense of humor and comfortable performances by a committed and--it must be said--remarkably limber cast help smooth over the rough edges.Read the full review
In Shortbus, the impish writer-director John Cameron Mitchell does the unthinkable: He puts the joy back in movie sex.Read the full review
If there is such a thing as hard-core with a soft heart, this is it.Read the full review
An ode to the joy and sweet release of sex, the film manages to be a sincere, modest political venture that finds humor where you might least expect it, notably in a ménage à trois featuring a cheeky rendition of "The Star Spangled Banner."Read the full review
Though it flirts with the hard-core, there is something strangely flaccid about Shortbus, a ragged, uneven quality that, however purposeful, makes it feel less than fully formed.Read the full review
Unquestionably the most sexually graphic American narrative feature ever made outside the realm of the porn industry, John Cameron Mitchell's ambitious attempt to merge his characters' active sexual lives with more conventional emotional content is playfully and provocatively entertaining for roughly the first half, but loses staying power thereafter when investment in the uncompelling characters' problems is requested.Read the full review
Shortbus is chipper, it's fresh, it emits a distinct musk of controversy. I'll take the longbus.Read the full review
The film lacks the depth and discipline of Mitchell's first film venture, "Hedwig and the Angry Inch," which makes Shortbus a real disappointment.Read the full review
Although Shortbus doesn't work as porn (and I don't believe it's intended to), it also doesn't work as a serious drama. The storyline is juvenile and the characters remain poorly developed and incomplete.Read the full review
The premise -- a roundelay of New Yorkers looking for connection, or to escape it -- feels tired, and Mitchell's portrayal of sex as the ultimate vehicle for transcendence, self-knowledge and healing, while conveyed with authentic sweetness, seems shockingly naive.Read the full review