Shutter (2008) Critic Reviews

Metascore®:

40 =
Based upon 7 Critic Reviews
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Boston Globe | Michael HardyAdd Critic to Favorites

If Shutter is any indication, the reputation of professional photographers is still on the wane. Not only are photographs creepy, the film suggests, but so are photographers.Read the full review

Entertainment Weekly | Clark CollisAdd Critic to Favorites

Seems like a technological regression.Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

The photography hook gives Shutter the potential to be a genuinely creepy ghosts-in-the-machine story like the original "Pulse," or better still, a horror twist on "Blowup." But one effective scene lit solely by a camera flash isn't enough to rescue this from the J-horror slushpile.Read the full review

The New York Times | Andy WebsterAdd Critic to Favorites

The director, Masayuki Ochiai, conjures textbook J-horror miasma: clammy clinical interiors; overcast skies; diffuse cityscapes. He also gives Alfred Hitchcock a nod, with a sequence nakedly stolen from “Psycho,” and draws unease from Jane’s disorientation in a foreign city. Tokyo, in fact, may be the movie’s most fascinating player.Read the full review

The Hollywood Reporter | Frank ScheckAdd Critic to Favorites

Genuine scares are few and far between, and the climactic explanation for the ghost's appearances comes as something less than a revelation.Read the full review

Variety | Dennis HarveyAdd Critic to Favorites

A blandly cast and crafted remake of the same-titled 2004 Thai pic that itself emulated J-horror norms, which seemed a lot fresher back then.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

Asian horror remakes are typically not screened for critics, and Shutter is no exception. The studios know what they have: watered-down, lifeless shells of motion pictures devoid of characters, drama, or anything remotely resembling horror.Read the full review

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