Signs Critic Reviews

Metascore®:

66 =
Based upon 15 Critic Reviews
See all Signs reviews at
Sorted by:
Boston Globe | Ty BurrAdd Critic to Favorites

Its quirks are exactly what make Signs interesting, entertaining, and good.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

The work of a born filmmaker, able to summon apprehension out of thin air.Read the full review

Entertainment Weekly | Owen GleibermanAdd Critic to Favorites

It's a high-octane doomsday vision built almost entirely around our sense of anticipation, and that's both its strength and its weakness.Read the full review

Los Angeles Times | Kenneth TuranAdd Critic to Favorites

Shyamalan's great gift is the creation of atmosphere, the conjuring of spooky, unseen menace. When he gets around to doing this in Signs, all is well, but it's a tossup as to whether the film offers enough of a payoff considering how long it takes to get where it's going.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

By limiting the number of special effects shots and treating the film more like a horror movie than a science fiction spectacle, Shyamalan creates a claustrophobic atmosphere and keeps the tension level high. There were times during this film when I was strongly reminded of "Panic Room."Read the full review

Rolling Stone | Peter TraversAdd Critic to Favorites

Follow Shyamalan's Signs. It will take a piece out of you.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

Promised to be the season's thoughtful action picture, turns out to have few thoughts and no thrills.Read the full review

Slate | David EdelsteinAdd Critic to Favorites

As a scare picture, Signs is good enough. As a religious parable, it's scarier -- and I don't mean that as a compliment.Read the full review

The New York Times | Dana StevensAdd Critic to Favorites

Mr. Shyamalan never gives us anything to believe in, other than his own power to solve problems of his own posing, and his command of a narrative logic is as circular -- and as empty -- as those bare patches out in the cornfield.Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

For a big-budget Hollywood feature, the film places an unusually high amount of stock in the audience's imagination; not since "The Others" or "The Blair Witch Project" have so many shocks been indirect or kept teasingly out of view.Read the full review

Track Your Favorite Critics | Start Now