Sin Nombre Critic Reviews

Metascore®:

80 =
Based upon 13 Critic Reviews
See all Sin Nombre reviews at
Sorted by:
Washington Post | Dan ZakAdd Critic to Favorites

An elegant, heartbreaking fable, equal parts Shakespearean tragedy, neo-Western and mob movie but without the pretension of those genres.Read the full review

Chicago Sun-Times | Roger EbertAdd Critic to Favorites

It contains risk, violence, a little romance, even fleeting moments of humor, but most of all, it sees what danger and heartbreak are involved. It is riveting from start to finish.Read the full review

USA Today | Claudia PuigAdd Critic to Favorites

That this is Fukunaga's first film is astonishing, given its sharp script, technical proficiency and suspenseful pacing. The ensemble cast is top-notch.Read the full review

Wall Street Journal | Joe MorgensternAdd Critic to Favorites

Mr. Fukanaga's purpose is to evoke the immigrants' experience, which he does with such eloquence and power as to inspire awe.Read the full review

ReelViews | James BerardinelliAdd Critic to Favorites

More substantive than the average thriller/road movie.Read the full review

Los Angeles Times | Betsy SharkeyAdd Critic to Favorites

There is bitter and breathtaking truth in the story and in the story- telling, which won Fukunaga the directing and cinematography award in the dramatic competition at the Sundance Film Festival.Read the full review

Variety | Todd McCarthyAdd Critic to Favorites

Fukunaga refrains from artificially amping up excitement for its own sake, maintaining an intimate, observational style that offers up a host of things to look at and think about.Read the full review

San Francisco Chronicle | Mick LaSalleAdd Critic to Favorites

There are some brief minutes when the tension drops and the story starts to sag, but Fukunaga almost always fills the frame with something worth seeing, and the story has a built-in suspense.Read the full review

The New York Times | Manohla DargisAdd Critic to Favorites

What keeps the movie from tipping into full-blown exploitation like "City of God," which turns third-world misery into art-house thrills, is Mr. Fukunaga's sincerity. What keeps you watching is his superb eye.Read the full review

The Onion (A.V. Club) | Scott TobiasAdd Critic to Favorites

Fukunaga paints better outside the lines, working with cinematographer Adriano Goldman to offer vivid shots of the poverty and despair cutting through Latin America, of gang rituals and territorial skirmishes, and of ordinary people taking dangerous routes to a better life that may be a mirage. Next time, a few rewrites please.Read the full review

Track Your Favorite Critics | Start Now