Sin Nombre Critic Reviews
Metascore®:
Based upon 13 Critic ReviewsHighest Rated
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An elegant, heartbreaking fable, equal parts Shakespearean tragedy, neo-Western and mob movie but without the pretension of those genres.Read the full review
It contains risk, violence, a little romance, even fleeting moments of humor, but most of all, it sees what danger and heartbreak are involved. It is riveting from start to finish.Read the full review
That this is Fukunaga's first film is astonishing, given its sharp script, technical proficiency and suspenseful pacing. The ensemble cast is top-notch.Read the full review
Mr. Fukanaga's purpose is to evoke the immigrants' experience, which he does with such eloquence and power as to inspire awe.Read the full review
More substantive than the average thriller/road movie.Read the full review
There is bitter and breathtaking truth in the story and in the story- telling, which won Fukunaga the directing and cinematography award in the dramatic competition at the Sundance Film Festival.Read the full review
Fukunaga refrains from artificially amping up excitement for its own sake, maintaining an intimate, observational style that offers up a host of things to look at and think about.Read the full review
There are some brief minutes when the tension drops and the story starts to sag, but Fukunaga almost always fills the frame with something worth seeing, and the story has a built-in suspense.Read the full review
What keeps the movie from tipping into full-blown exploitation like "City of God," which turns third-world misery into art-house thrills, is Mr. Fukunaga's sincerity. What keeps you watching is his superb eye.Read the full review
Fukunaga paints better outside the lines, working with cinematographer Adriano Goldman to offer vivid shots of the poverty and despair cutting through Latin America, of gang rituals and territorial skirmishes, and of ordinary people taking dangerous routes to a better life that may be a mirage. Next time, a few rewrites please.Read the full review